BIBLIOGRAPHY


SELECTED ARTICLES, REVIEWS, ESSAYS,  SMALL PRESS PUBLICATIONS, EZINES, REPRODUCTIONS OF WORK

Santa Monica’s Beach=Culture Launches a Summer of Fine Arts, The Look Out News, 5/5/11

Santa Monica Embraces the Easy and Uneasy Art of Considering Eden, The Look Out News, 4/5/11

Considering Eden (catalogue -2011) for exhibition at Annenberg Beach House, Santa Monica, Ca.

Onsets: paintings/digital prints (catalogue - 2006)

Drunken Boat, Issue 6, Spring 2004,   Two Brothers, (collaboration with Rod Moore)

Le recit non aristotelicien de la fin du xvii siecle au xx siecle- une poetique de l’incertitude, Helene Campaignolle-Catel (doctoral thesis: chapter C- hyperfiction:  L. Bloomfield, No Memory (pp 1-25, Universite Paris Vii-Denis Diderot), 2004

What Our Speech Disrupts, Feminism and Creative Writing Studies, K. Haake, NCTE, 2000, p. 193

Metro: A Sourcebook for Writing Creatively, Ostrom, Bishop, Haake. Experimental Forms and Less Familiar Modes: Figure 5.1 (Map/Index), 2000, Longman

"The Next Word: Text and/as Image and/as Design and/as Meaning," Johanna Drucker, Neuberger Museum, SUNY Purchase, 1998 (catalogue)

Contemporary Photoworks Incorporated (CPI journal--the Netherlands) Vol.1, No. 1, 1998, -- Cover illustration and feature article w/ reproductions "Lisa Bloomfield: Storytelling and Pattern Recognition," Edward Earle (new media curator, International Center for Photography (ICP , NY)

FIAT LUX: The Magazine of the University of California, Riverside, 1996, Online to the World. "Humanities on the Internet, a Whole New Way of Teaching," pp 6-7; "Photography Goes Cyber," p. 26.

Camerawork, A Journal of Photographic Arts, Fall/Winter '94, Twentieth Anniversary Issue: pp.26-27, San Francisco, CA. (Map/Index)

Artweek, Vol. 25, No 21, 11/3/94, p. 19, "To Tell the Truth," Devorah Knaff, w/reproduction

L.A. Style, Vol. 8, No. 11 April, 1993: color reproduction of billboard, p. 10

Artweek, Vol. 24, #6, 3/18 /93, p.20: Breaking the Rules - Lisa Bloomfield at UC Riverside, Pat Leddy (w/ reproduction- biography series)

The Press-Enterprise, Riverside, CA., 2/28/93, E2: "Some secret lives revealed," Devorah Knaff (w/reproduction)

Santa Barbara Review, Vol. 1, #1, Spring/Summer 1993, pp 60-61 (reproductions)

Framework, Vol. 6, Issue 1, 1993 pp. 42-43 (reproductions)

Whitewalls, A Journal of Language and Art, #31 (Chicago): "Culture, Identity and Colonialism," Chapter 6 (section 6: biographies)

Los Angeles Times (Orange County - Calendar Section), "Show Exhibits a Multiple Personality," Cathy Curtis, 2/3/92, p. F-1

"Photoworks by Ten American Artists," pp 9-15, catalogue, Konica Foundation, Amsterdam,

Foto - The Netherlands , V. 46, #3, 5/91, pp 58-89 Amsterdam  (from Motivation Series)

Framework, Vol. 4, #2, 1991, p. 11 (Los Angeles Center for Photographic Studies - reproductions)

The Archive 29, Center for Creative Photography, University of Arizona, Tucson, AZ: "A Portrait is not a Likeness," Su '91, pp. 30-31 (catalogue)

Artweek, Vol. 22, #11, 3/21/91: "The Perils of Belief," James Scarborough, pp. 10-11

Los Angeles Times, "Biennial I Launches a Tradition," Suzanne Muchnic, 9/22/9 p 4-5

Art Journal (College Art Association), Vol 49, #2, Su '90, pp 100-103 (featured artist -  reproductions)

California Museum of Photography (CMP) Bulletin, Vol 8, #3, p 16-17 (reproductions)

Top Stories,#28, 1989, New York, New York (small press - featured artist)

Contact Sheet #61, pp 7-9, Light Work Gallery, Syracuse, NY (reproductions)

Eye of the Mind, Mind of the Eye, , Presentation House, Vancouver, Canada  (catalogue)

Impulse, Vol 13, #4, Winter 1987 (Toronto, Canada), p 31-34 (featured artist -  reproductions)

SF Camerawork, Vol 13, #2/3, summer/fall 1986  (reproductions)

Artforum, February, 1986: "Image/Word," New Langton Arts, San Francisco, CA, Bill Berkson, p. 111

Image/Word, The Art of Reading, New Langton Arts, San Francisco, CA (1985) (catalogue)

Artpapers: The Arts in the Southeast, Vol 9, #1, Jan/Feb 1985: "Artists and Photographic Installations," Michael Kahan

Artweek, Vol 16, #10, March 12, 1985: "Pieces of an Exhibition," David Strauss

Artists and Photographic Installations,1708 E. Main, Richmond, VA (catalogue - 1984)

Image/Text, Franklin Furnace, New York, NY (catalogue 1984)

Artweek, Vol. 14, #39, Nov. 19, 1983: "A Show of Hands," Jim Hugunin (review of exhibition curated by Lisa Bloomfield/Rod Moore, "The Theater of Gesture at the Los Angeles Center for Photographic Studies)

Los Angeles Times, May 15, 1983: "On Photography: Lisa Bloomfield - Ongoing On-Ramp to Ingoing Trips," review:  Dinah Berland (Calendar Section, p. 99 - reproductions)

Artweek, Vol. 14, #21, May 28, 1983: Loaded Implications, John Brumfield (review with reproductions)

U-Turn ,Vol. l, #3, 1983: "The Visionary Journey" (featured artist and cover image; art journal)

Washington Post, Washington D.C., January 15, 1983: "Beyond the Single Frame," Jo Ann Lewis

Boston Globe, Boston, MA: December 12, 1982, "There's a Feast for the Eyes,"K. Wise

The Spectrum/Prodigal Sun, Buffalo, NY, November 19, 1982, "Art for the Eighties: CEPA and Hallwalls," Rachel Aveny

Afterimage, V10, Visual Studies Workshop, Rochester, NY: #5 December, 1982: reproduction, p. 22

Contemporary Photography as Phantasy, Santa Barbara Museum of Art (catalogue, Su' 82)

Impulse, Vol.10, #1, Summer 1982: pp 28-33, "Survey of False Sites and Complexes," Toronto, Canada (featured artist)

Obscura, Vol. 2, #3, June, 1982: "Survey of False Sites and Complexes," (Los Angeles Center for Photographic Studies, reproductions)

Scree, #19-21, 1981, Photography Issue: "Beach Narrative" (small press, featured artist)

Afterimage, Vol. 8, #5, Dec. 1980, Visual Studies Workshop, Rochester, NY : "Mocking Objects:   Lisa Bloomfield, Gillian Brown, Diane Buckler," Jim Hugunin - (essay with reproductions)

 

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>SELECTED EXHIBITIONS